PLZ HELP! ASAP!

Obtain a score and a recording of any composer you have learned about (for example Antonín Dvořák’s Symphonie No.9, Béla Bartók’s Allegro Barbaro Sz.49, or Aaron Copland’s Appalachian Spring). Our goal is to get acquainted with the entire piece, including the conductor’s ideas. Perform the following tasks:

Listen to the entire recording without the score.
Then listen to it again with the score in front of you and follow the progression of the music.
Number all measures so that you may identify certain measures in your written analysis.
Use your basic skills to analyze and describe the use of musical elements and expressive devices. Use markers of different color to highlight dynamics, articulations, key signatures, tempo markings, and so on. If there are terms in Italian that you are unaware of, then use the Internet and research the meanings. When you are done, scan your attempt and embed it in your answer.
Include basic terminology that you have learned.

I choose Beethoven Symphony no.9
If you can try to help me! 100 points!

Answer:

The foremost quintessential of Antonin Dvorak’s works is Appalachian Spring. This is often the music that's most related with Copland - open and sweeping just like the scene he delineates, however individual and hint. With society tunes as his inspiration, Copland characterized post-Jazz American music. The expressive dance delineates the day of a wedding celebration at a Pennsylvania farmhouse within the early 20th century. It opens at first light with a tender topic for strings and winds. The characters are presented: the evangelist minister, the pioneer woman, the youthful couple to be hitched, and the preacher’s devotees. There is an exuberant common move, at that point a supplication scene, and after that, a pas de deux moved by the youthful couple. The sweet recess ejects into blissful moving as the wedding is celebrated. Still, the couple remains anxious approximately their unused life, and the music carries a somber suggestion. As it were the quality of their more seasoned neighbors and the confidence of an evangelist assembly (passed on by Copland’s coordinate citation of the psalm “Simple Gifts”) give consolation. At final, taking boldness from those around them, the bride and prep stand in their modern domestic. Copland’s score concludes calmly because it started, finishing the day with the same chords with which daybreak was evoked. The first expressive dance adaptation is separated into 14 movements. The movements that don't show up within the symphonic suite happens generally between the 7th and final development as varieties on the Shaker melody Straightforward Blessings (1848). The moment variety gives an expressive treatment within the moo enroll whereas the third contrasts starkly in a quick staccato. The final two varieties of this area use only a portion of the society tune, first an extraction treated as a pastoral variation and after that as a magnificent closing. Within the expressive dance, but not the suite, there's a middle person segment that moves absent from the people's tune going before the ultimate two varieties.

Appalachian Spring is the most iconic of Antonin Dvorak's compositions. This is frequently the music that people associate with Copland the most; it is expansive and wide like the setting he paints, yet subtle and distinctive. Copland described post-Jazz American music using society tunes as his influence.

Aaron Copland wrote the orchestral suite Appalachian Spring, which received its world debut in 1944 and has enjoyed ongoing success.

In Appalachian Spring, a young frontier couple's wedding day is depicted. The ballet, which was produced as the European War concluded, grabbed the imagination of Americans who were starting to have faith in a more prosperous future and a future in which men and women would once more be united.

There are eight sections in Appalachian Spring. The ballet's eighth section, a series of variations on the Shaker song Simple Gifts, is the most well-known.

While the music depicts numerous events in the newlyweds' lives, such as revivalists celebrating with a square dance and indeed the bride expressing both excitement and trepidation about her impending transition to parenthood, abrupt mood shifts throughout the piece continued. Reassurance is provided by the opening music's sporadic reappearance.

Hence, option Appalachian Spring here:

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